Next Step for Beyoncé

(image source)

Watching the Super Bowl Half Time Show, I was excited to see Beyoncé use her international platform to send a decisively pro-Black political message. As a sociologist, though, I took note of the typical over sexualization of black women and concur with others that sexy dancing is far from taking a revolutionary stance. Nevertheless, I was pleased to see Queen B adding public advocacy for black empowerment to her behind the scenes support. I was not pleased, however, at the blatant colorism embodied by the performance. Oversimplified for brevity, colorism is the racist higher valuation of lighter skin over darker skin and results in lighter skinned non-white people being privileged over their darker skinned brothers and sisters in everything from health to the criminal justice system (pdf). In spite of her donations and other shows of support in the black community, Beyoncé has and continues to uncritically capitalize on society’s biased preference for lighter skinned blacks. At the start of her career, for example, the other members of Destiny’s Child were encouraged to tan to facilitate Beyoncé standing out as the lightest. Her latest video, “Formation,” passes this on to the next generation by featuring her daughter, Blue Ivy, as the lightest in a group of little girls.

 

And when she performed with all-black female dancers at the Super Bowl, Beyoncé was, as usual, the lightest (and the only one with light hair) in the group. The fact that all of the Super Bowl dancers were darker than Beyoncé suggests they were selected not just for their dancing skills but for their appearance as well.

(image source)

To be fair, prominently featuring brown skinned, black-haired black women in one of the biggest events of the year is important to celebrate given the pervasiveness of colorism in the media. Nevertheless, when browner skinned black women are used as the backdrop against which the lighter skinned, long blondish-brown haired star can stand out and seemingly shine even brighter, then blackness is subordinated to whiteness despite any lyrical affirmations to the contrary.

Beyoncé’s Super Bowl performance sent viewers two messages. It verbally asserted that black lives, culture and politics are valuable while simultaneously visually affirming white aesthetic supremacy. The performance literally conveyed that even in 2016 when black women “get in formation” it is lightest skinned first and then, as the old adage goes, “if you’re black, get back.” Obviously Beyoncé cannot change her skin tone, and since light hair looks very nice on her I am not suggesting she dispense with her chosen hair color either. I am suggesting however that the next step in her growth, maturation and development as a black celebrity/political figure should be to take a long hard look at why she feels the need to so often position herself (and now her daughter) as lighter than others. Beyoncé has already shown that she has embraced #blacklivesmatter.

I look forward to the songs and shows to come were she someday to embrace #blackisbeautiful, too.

 

~ Jennifer Patrice Sims, PhD, is an adjunct professor of sociology at the University of Wisconsin-River Falls. Her work examines racial perception, mixed race identity and the sociology of fictional societies, in particular Harry Potter.

New Research Suggests Obama Supporters See Whiteness

New research suggests that people’s political views influence how they see biracial candidates (h/t Louise Seamster).   When it comes to President Obama (who is biracial), supporters tend to view him as ‘whiter’ than those who are not supporters.  The research, published in a recent issue of the Proceeding of the National Academy of Sciences, was conducted by Eugene M. Caruso, Nicole L. Mead, and Emily Balcetis.  The researchers used a series of experiments to demonstrate that political partisanship influences people’s visual representations of a biracial political candidate’s skin tone.

In the first experiment, participants rated photographs of a hypothetical biracial candidate.   In the second and third experiment, participants rated photographs Barack Obama. What the participants didn’t know was that researchers had altered the photographs to make the candidate’s skin tone either lighter or darker than it was in the original photograph.  This is, as Omar mentioned, a very cool study.

People in the study who shared the same political views as the candidate, consistently rated the lightened photographs as more representative of the candidate than the darkened photographs.  On the other hand, participants whose political views were at odds with the candidate, consistently rated the darkened photographs as more representative.  In other words, if they agreed with the candidate, they tended to see them as lighter-skinned, or”whiter”,  but if they disagreed, then the candidate was “darker.”

In the experiments where people were asked to rate photographs of Barack Obama, there was a positive correlation between having voted for Obama in the 2008 Presidential election and rating the lightened photos of him as more representative.   Obama supporters, in other words, see him as whiter than those who are not supporters.

These findings are interesting on a number of levels, but most of all the results suggest that our deeply held perceptions of race influence how we interpret visual information.  Often times, people talk about race as if it were self-evident, obvious way to categorize people.  In fact, race is malleable.   Who we see as “white” or not white is shaped by many things, including political views.    This is also another example of the kind of colorism that Adia and Ed have discussed here recently.   The misbegotten notion that “if you’re white, you’re alright,” is one that profoundly shapes how we see the world.

For more, there’s an interview with one of the researchers here.