Research Brief: The Latest Research in the Field

Here is your weekly research brief with some of the latest research in the field.

Research in the Dictionary

My aim in this article is to epistemologically read Deleuze and Guattari (D & G) against critical race theory (CRT) and simultaneously delineate how D & G’s notion of ‘body without organs’ can benefit from CRT. At first glance, especially for language instructors and researchers, these two epistemological frameworks not only compete against each other but in most cases also do not meet. For some, their utility might not even be as obvious given their philosophical and abstract nature. This article is conceptualised to show, in a modest way, their utility on the one hand and how, on the other hand, where and when they meet to create an ‘anti-racism line of flight’. For those who are interested in race, language learning and institutional analysis, this is a line of flight that is full with infinite possibilities, twists and turns and pleasant surprises, which I hope to epistemologically explore.

This paper introduces the concept of place defending and articulates its implications for locality based social policy. Place defending is the protection of one’s local area from unfavourable assessments, in this case of being labelled or perceived as a racist space. Place attachment and identifications with place are drivers of place defending. Person place relationships and their implications for locality based social policies have not yet received sufficient consideration in the literature a significant oversight considering the current policy focus in Australia and the United Kingdom on locality based social policy. In this study of local anti racism in the Australian context, place defending involved the denial of racism and performances of place that reproduced the discourse of tolerance. Print media coverage of the release of national data on racism was analysed alongside a series of interviews with individuals working on anti racism at both local and state/federal levels. Four tools of place defending are discussed: direct action to defend place; spatial deflections; use of minority group members to discredit claims of racism; and critiques of those who make claims about racism. The tools of place defending operated to construct localities as places of tolerance, potentially undermining the case for anti racism.

The film 300 tells a fictionalized account of 300 Spartans’ courageous stand against Xerxes’s Persian army that provided Greece a beacon of masculine strength, independence, and freedom. This study seeks to understand the racist and sexist ideologies represented in the film’s characterization of the Spartan and the Persian armies. To uncover ideologies in the film, we conducted a textual analysis focusing on the intersecting constructions of nation, race, and gender. Our findings suggest that the film advances ideological support for the duty of Whiteness and masculinity in the United States, specifically, and the West, generally, to protect itself from the external, invading forces of the Orientalized racial “other” and against the internal, corrosive forces of femininity.

Drawing from a 2.4-year ethnography with Korean Early Study Abroad (ESA, pre-college-aged study abroad) students in Toronto high schools, I examine the intersections among race, class, language, culture and citizenship (including immigrant status) in the identity construction and language learning of these students. Conceptualising race as a social construct and racism as systemic and institutionalised, I employ sociolinguistic analysis of the data to link issues of race and class together and point out how the ESA students adopt class-based consumption of Korean language and products as a strategy for dealing with the racial and linguistic marginalisation they experienced in Canadian contexts as well as its consequences in their language learning. The paper concludes with the story’s implications for discussing race and alternative ways of talking about privilege among racial minorities regarding transformation of the value of the linguistic capital across different linguistic markets in today’s world of globalisation.

Disney, Children and Race

Images from Children's Movies

  (from left to right) Robert Lopez, Idina Menzel & Demi Levato; the talent behind “Elsa” of Frozen

I don’t pay much attention to the Academy Awards anymore for various reasons among them racial inequity, emphasis on commercialization, consumerism, and wealth, as well as the perpetuation of harmful normative stereotypes about practically everything from gender roles and sexual orientation, to class, culture and language. And of course I’m the mother of a young child and just don’t have time to watch movies. That said there was one win that especially caught my multiracial eye this year. Robert Lopez along with his wife nabbed Best Original Song for their wildly popular ballad “Let It Go” from Disney’s Frozen. Significantly, the award catapulted multiracial Filipino Robert Lopez to rare status, the 12th and youngest EGOT (Emmy, Grammy, Oscar, Tony) winner ever. I do pay attention to something like that because my mixed race Asian son has so, so, so few racial role models that hold a solid standing in the public image. As he grows up I want to be able to point out leaders to him and say, “See! YOU can be a songwriter, politician, Olympian, CEO, activist, author, actor, etc. too!” But that’s really hard to do right now when I can barely find children’s books that reflect his racial image.

Hadn’t heard the song yet, but certainly made a point to after that. Screened it on YouTube thinking for sure I’d show it to kiddo. But then some other uncomfortable things quickly caught my eye. For one, multiracial Asian Robert Lopez penned the song, it was voiced-over by Ashkenazi Jew Idina Menzel and rendered (for the credits) by Mexican-American pop star Demi Levato, but in the actual film? The tune is sung by the character “Elsa” who is drawn incredibly white. Not only that, but in the movie as the sequence progresses from her being depressed and constrained to enlightened and empowered, she magically morphs from wearing dark clothing (in the dark) to, as she becomes more “free,” wearing a bright-white-sky-blue snow royalty dress (at gleaming sunrise):

Then in subsequently watching Levato’s music video for her pop version of the same, I was deeply disturbed to see that the multiracial singer (yep she’s mixed too) had had her hair lightened to blonde and that the exact same clothing/lighting transition from dark-to-light is used again:

I’m sorry but no way in hell am I going to let my brown son, who has already shown strong signs of internalizing/normalizing white phenotype at the expense of rejecting his own (http://multiasianfamilies.blogspot.com/2013/05/mirror-mirror.html), watch these videos or become enchanted with them in any form. Nobody really has “white” or “black” skin – we are shades of browns, tans, pinks, peaches, etc. – nor do we have “white” or “black” souls. Yet these polarized colors supposedly signal not only a person’s race but also diametrically opposed measures of their inherent value and worth? This was a concept developed by English settlers of America 4 centuries ago to build a rational for the devastation of indigenous and dark-skinned peoples:

“[English colonists]…had the power to shape the everyday terminology used in interaction with one another and with those they oppressed. Increasingly, skin color was linked to older color meanings in English. In Old English, the word ‘black’ meant sooted, while the word ‘white’ meant to gleam brightly, as for a candle. In line with earlier Christian usage, the word ‘black’ was used by the English colonists to describe sin and the devil. Old images of darkness and blackness as sinister were transferred to the darker-skinned peoples exploited in the system of slavery” (Racist America: Roots, Current Realities, And Future Reparations by Joe Feagin, 2014, p. 68).

But unbelievably our kids still receive these same strong messages today about race and who does or does not matter. This stuff runs really, really deep. “White is right” is still all over the place in ways we adults have become so used to, we may not even notice. Take for instance Pixar’s 2009 film Up which featured Asian American Boy Scout “Russell,” one of very few animated films to ever feature an Asian character. Not only is Russell a total do-gooder-over-achiever (model minority), but he’s overweight (“unattractive”), has a speech impediment/accent (forever foreigner), looks nothing like his voice-over talent Jordan Nagai (invisible) AND ultimately is saved by a white man who acts as a surrogate-substitute father (China remains #1 source of internationally adopted US children) to replace his absent Asian father (Asian men = emasculated).

Children's movie stars

Jordon Nagai with “Russell” of Pixar’s Up

By contrast, consider some of the other white film children of Pixar (which was acquired by Disney in 2006 for $7.4 billion): “Andy” of the Toy Story franchise is essentially the center of the movie’s universe and is completely idolized by his toys who would lay their lives down for him. “Boo” of Monsters, Inc and her laughter revolutionize Monster University’s approach to harnessing good energy. “Violet” of The Incredibles is a sullen tween/teen who can vanish, cast powerful force fields and discovers her astounding inner beauty throughout the course of the film. Also of The Incredibles, “Dash” can run really, really fast and see truths his family find difficult to see:

Pixar Children

(clockwise from upper left): “Andy” of Toy Story, “Boo” of  Monsters, Inc., “Dash” and “Violet” of The Incredibles)

 

And I’m only scratching the surface here. Where also are strong non-stereotypical depictions of Black, American Indian, Latina/o, mixed race, etc. children who identify as nonwhite? I do firmly believe all of us have an obligation to pay responsible, critical and intelligent attention to this disproportionate, skewed racial messaging still being spoon-fed younger generations. To be clear, I absolutely am not arguing that white children (or people) should be devalued. But I am arguing that no child should be elevated in a way that results in other children feeling less worthwhile. Here is the core truth folks, racism dehumanizes us all. Until we can see that every child/person has true, innate beauty that deserves recognition and support — we have a long way to go.

 

~ This post was written by Sharon H Chang and originally appeared at her blog MultiAsianFamilies.

 

Hollywood’s Post-Racial Mirage

The increase of colorblind casting in sci-fi television shows like “The Walking Dead” and “Sleepy Hollow” suggests that a “post-racial revolution” is being televised, according to a writer at CNN. John Blake especially celebrates shows like “Arrow,” which have a diverse racial cast and manage in many instances to avoid stereotypes. Certainly, I agree with Blake that television is slowly but surely diversifying in ways that it simply has not been diverse over the last decade. (ABC’s “Scandal” has a diverse cast, a black female lead, and is one of the most popular shows on television. It is certainly a personal favorite.)

But I’m not sure post-racialism is a thing to want, that it should be our goal.

Cosby Scandal images

(Image source)

First, although television seems to be changing, we should not forget that 20 years ago television was more diverse. When we tell ourselves these post-racial fantasies of progress, we act like more black people cast in roles that have traditionally gone to white people is progress. Second, we act as though this is the best definition of diversity. I came of age in the 1990s, where there were several black shows that populated the landscape of my adolescence – “The Cosby Show,” “The Fresh Prince of Bel-Air,” “Martin,” “In Living Color,” “Living Single,” “Sister Sister,” “The Parent ‘Hood,” “The Wayans,” “Smart Guy,” “Hanging With Mr. Cooper,” and “Family Matters.” As a little kid, I watched “227″ and “Amen.” All of these shows were spread out over a combination of minor networks like UPN and the WB and the traditional major networks.

Slowly by the late 1990s all black shows were being outsourced to the minor networks. Then those networks consolidated, with UPN and the WB becoming the CW, and then the CW decided in the late 2000s to move from an “urban programming format.” The same thing is true of the movie industry. In the 1990s, there were black movies – black gangsta movies, black love movies, black family movies. “Boyz N the Hood,” “Love Jones” and “Soul Food” are representative classic black movies of the era. By the mid-2000s, the only person able to command an impressive box office showing was Tyler Perry.

 

Commitment to racial diversity on the big and small screens has always been fickle.

Now the tide is changing as black actors are being asked to do black versions of white movies like “About Last Night” or the thinly veiled mashup of “The Hangover” and “Bridesmaids,” that will be “Think Like a Man, Too.” I have seen or plan to see these movies, because I like seeing people who look like me on the big screen. But I’m bothered by the idea that progress means black people’s lives can fit into traditional white narratives. Why are black stories particular, but white stories universal? Surely this is not the best definition of diversity.

And it certainly is not progress. It’s more like the gentrification of media, being marketed to us as progress. Under the logic of gentrification, both the physical kind and this new mediated kind, those of us who harken back to a prior moment when people of color could live and work and be represented on their own terms are seen as barriers to progress. Even though we are made to witness the systematic removal of people of color from posts and property that they have labored for generations to have access to, we are supposed to be impressed when these new social and geographical formations allow token participation by people of color, who are viewed as having crossover appeal. To be clear, crossing over means that despite your color, white people like you. It’s an ugly truth, but we should tell it. And given the racist audience backlash to the casting of “The Hunger Games” character Rue as  black and to the new version of Annie starring African-American Quvenzhané Wallis, I’m not sure we should actually believe this optimistic narrative of post-racial revolution.

In fact, the backlash toward these young black characters is more in line with a recent finding from  the Cooperative Children’s Book Center, that of 3,200 children’s books published in 2013, only 93 were about black characters. To this day, I keep a list of children’s stories that feature black girl protagonists, so that my friends with daughters can have culturally relevant books for their children.

African-American author Walter Dean Myers penned a response to the children’s book study in the New York Times. I didn’t even know people wrote children’s books about African-Americans until I stumbled upon a whole shelf of Mr. Myers’ books one lazy summer when my mother left me at the library all day. I eagerly brought home a copy of the teenage love story “Motown and Didi,” which remains a favorite to this day, alongside a stack of books that included stories about the Box Car Children and the Sweet Valley Twins. My personal favorite was Baby Sitters Club books, but those only came out once a month, and I usually had devoured them by the second day after purchase. And while the characters were mostly white, part of being a voracious-reading black kid in the ’90s meant you learned to relate to white children, and to identify with the “universality” of their narratives.

I also vividly remember my joy at seeing and eagerly purchasing a copy of Myers’ “The Mouse Rap” in 1992. Though I preferred stories with female protagonists, the chocolate black boy on the cover, who had dreams of being a rapper, appealed to me.

As a young black girl growing up in a predominantly white environment, race mattered. Despite my attempts to mimic the cultural habits and speaking styles of my white counterparts, a journey to racial self-awareness that got me mercilessly teased by my black counterparts, I was never going to be white and didn’t especially want to be. Like other children, I wanted to fit in and not be bullied. Reading children’s and young adult stories with black characters helped me to imagine other ways to be black besides the sometimes limiting representations that I saw in my immediate environment. Those black stories also affirmed my nerd self, letting me know that white children didn’t have a monopoly on smarts, and that I didn’t have to jettison blackness to embrace nerd-dom. Seeing ourselves represented, not as devoid of race but as shaped by and deeply influenced by race, matters. To have race not as a biological but as a social condition is not a bad thing. We all do.

And until all of us – white people included — grapple with what this means, until we can tell the truth honestly about it, our swift desire to get to a post-racial future will remain a gilded project, and one steeped in dishonesty.

That kind of dishonesty will have us doing as John Blake did, invoking the work of Octavia Butler, an African-American sci-fi author, to make the case for post-racialism. I think Butler would take deep issue with being read into a genealogy of post-racial cultural production. She thought that black life provided the ground upon which to explore questions of dystopic futures, life after armageddon, and other forms of relationship to the human body, to African-American history, and to the time-space continuum. Blackness is central, rather than incidental to her work.

For the young black time-raveling teens in Kiese Laymon’s “Long Division,” their Mississippi-inflected, crooked-letter blackness is central to who they understand themselves to be. These characters, and African-Americans more generally, to disagree with Harlem Renaissance thinker George Schuyler, are not simply “lampedblack Anglo-Saxons,” dropped into the middle of an Ebony version of “A Wrinkle in Time.”   

Butler, Myers and Laymon show us black possibility through their fearless engagement with what it means to be both human and black. The stories they tell, the movies and shows that could be made from those stories, are far better models for diversity than our current infatuation with colorblind casting.

Post-racism, not post-racialism, should be our goal. To be American means we are deeply shaped by narratives of race, culture, and power. And celebrating our multiculturalism is not a bad thing. But multiculturalism and post-racialism are not the same. In their most ideal states, one recognizes the power, possibility and gifts of our differences and uses those truths to connect us. The other – the latter — erases the salience of those differences and attempts to use the lie of sameness to connect us. As ever, the question for us remains, what kind of nation do we want to be?

~ This post was written by Brittney Cooper who is a contributing writer at Salon and a Professor at Rutgers University. Follow her on Twitter at @professorcrunk.  The original post appeared at Salon and you can read it here.

White Women in American Pop Culture

Today begins the third part of the Trouble with White Women series here at the RR blog.

To briefly review where we’ve been, we started with Part I. White Women in the Early U.S., where we explored white women’s role in slavery, lynching, and the racial origins of early feminism. Then, we turned to Part II. The Professionalization of White Women, in which we explored some of the process of learning to be a white woman, the second wave of feminism, affirmative action, and just last week, the trouble with “leaning in” to corporate feminism.  Part III takes up the issue of white women in American pop culture.

White women dominate popular culture and the collective imagination about crime in ways that undermine our ability to grasp the reality of race and racism.    There are so many examples of the representation of white women in popular culture, it’s difficult to narrow the discussion to just a few.  Even though white women are seemingly everywhere in popular culture, their race, their whiteness, is rarely remarked upon.

Contemporary Hollywood Movies 

While there’s some discussion of the lack of leading roles for women in Hollywood movies, there’s relatively little attention paid to the fact that the preponderance of the women’s roles go to white women.   And, it’s not simply a question of casting, it’s also a matter of what kinds of stories get told.   In the scripts, as well as in the casting, white women are often at the center of movies in particularly racialized ways.   Here are just a few examples:

In Eat, Pray, Love a recent film based on the best-selling memoir by the same name, and starring Julia Roberts, an upper middle-class white woman leaves her husband, and sets out to travel the world in a journey of self-discovery.

Sandip Roy points out the many similarities between the lead characters’ quest and that of colonizers, where:

“They wanted the gold, the cotton, and laborers for their sugar plantations. And they wanted to bring Western civilization, afternoon tea and anti-sodomy laws to godforsaken places riddled with malaria and Beriberi.   The new breed is more sensitive, less overt. They want to spend a year in a faraway place on a “journey.” But the journey is all about what they can get. Not gold, cotton or spices anymore. They want to eat, shoot films (or write books), emote and leave. They want the food, the spirituality, the romance.   … She tries not to be the foreign tourist but she does spend an awful lot of time with the expats whether it’s the Swede in Italy, the Texan in India or the Brazilian in Bali. The natives mostly have clearly assigned roles. Language teacher. Hangover healer. Dispenser of fortune-cookie-style wisdom. Knowledge, it seems, is never so meaningful as when it comes in broken English, served up with puckish grins, and an idyllic backdrop. The expats have messy histories, but the natives’ lives, other than that teenaged arranged marriage in India, are not very complicated. They are there as the means to her self discovery. After that is done, it’s time to book the next flight.”

Although Roy names quite clearly the first-world privilege of this movie character, I would extend that analysis to include her race and her gender.  While it’s possible to imagine a woman of color in the leading role, or even a (white) man in the leading role, it’s unlikely that such a film would have been produced had the lead been say, Tyson Beckford  (lovely as he is).  More to the point, if we’re engaged by this story of a white woman who struggles because she has “no passion, no spark, no faith” and needs to go away for one year,  this raises the question (as Roy does) about where do people in Indonesia and India go away to when they lose their passion, spark and faith?  It’s precisely because this is a white woman that producers believe that we as an audience will be interested in this story.

The Sandra Bullock vehicle Blind Side is another example of the white woman as a central, racialized figure in a movie.  As you may recall, the movie is based on the true story of a white woman who adopts an African American boy who comes from a poor family.   I wrote about this moviewhen it came out last year and noted that it’s a version of the “white savior film” that many sociologists have studied.   The film was a huge hit at the box office (grossing approximately$255 million dollars) and earned Sandra Bullock an Academy Award for Best Actress. It also seems to have prompted something of a life-imitating-art moment for Bullock who, shortly after the film – and her marriage – ended, adopted an African American child.

 

The entire premise of the film Blind Side rests on the race and gender of the lead character; there’s no story here without the central fact that this is a white woman adopting a black child.    Imagine a Tyler Perry production where Janet Jackson is the playing the lead and she takes in a poor, African American child.  It might get produced (by Perry and maybe Oprah) but it’s not going to do $255 million at the box office and Ms. Jackson (lovely as she is) is not getting an Oscar nod.   The whiteness of the lead female character is the sine qua non of theBlind Side.

The appeal of white women as lead characters holds true in films produced outside Hollywood as well.   The wildly popular Milliennium trilogy of books by the late Swedish journalist Stieg Larsson has been made into a series of films.  In the first of these, The Girl with the Dragon Tattoo, down-on-his-luck journalist Mikael Blomkvist (Michael Nyqvist) joins forces with bisexual-computer-hacker-in-a-black-leather-jacket Lisbeth Salander (Noomi Rapace) to fight a ring of serial killer neo-Nazis (no seriously).

The Lisbeth Salander character – both in print and on film – is being widely heralded as afeminist icon for the current era (although there’s some debate about whether the feminism in Larsson’s trilogy is weighed down by the heavy dose of sexual violence).   The Salander character’s Otherness is marked through her bi-sexuality, yet she remains a “white savior.”  As sociologist Matthew Hughey has noted about the classic white savior from a film of another era, Atticus Finch in To Kill a Mockingbird, Lisbeth Salander embodies a new white savior with a punk, quasi-feminist flair.

Missing White Woman Syndrome

One of the most telling, and damaging, ways that white women’s central place in the collective imagination shapes how we think about race and racism has to do with crime.    The overwhelmingly majority of crime in the U.S. is intra-racial crime, that is crime committed against people by members of their own race.   And, sadly, a disproportionate amount of crime that occurs is black-on-black crime.  Our jails and prisons house some 2 million incarcerated people, the vast majority of those black and brown people.   Yet, what consistently captures the collective imagination (and the news cycle) are white women who’ve gone missing.

 

The undeniably tragic case of Natalee Holloway, who went missing while on vacation in Aruba, is just the most recent in a long line of missing white women who have captured the public’s attention, including: Polly Klaas, Chandra Levy, Elizabeth Smart, Laci Peterson, and Brianna Denison.  This phenomenon is becoming so widely recognized that the Missing White Woman Syndrome now has its own wikipedia entry.  As communications scholar Carol Liebler points out in a forthcoming article in Communication, Culture & Critique, the Missing White Woman Syndrome is also about middle-class status and perceived attractiveness.    Conversely, when black women are victims of crime, the convergence of gender, race, and class oppressions in the news coverage tends to minimize the seriousness of the violence, portrays most African American women as stereotypic Jezebels whose lewd behavior provoked assault, and absolves the perpetrators of responsibility.  (For more on this, see Meyers, “African American Women and Violence: Gender, Race, and Class in the News,” Critical Studies in Media Communication, Vol. 21, No. 2, June 2004, pp. 95–118).

This fetishizing of white womanhood has expanded to childhood.  There is perhaps no more telling example of our culture’s obsession with white femininity than the swirl of media attention around the death of JonBenét Ramsey.

 

When 6 year old JonBenét Ramsey was found dead in the basement of her parents’ home in Boulder, Colorado in 1996, there was extensive media coverage of the investigation.  All of the networks covered the murder both on their evening newscasts, and other shows such as  “”Larry King Live,” “”Dateline” and “”Hard Copy,” all did dozens, if not hundreds, of shows around the case.   Just the year before, in 1995, 763 children under age 9 were murdered in the U.S., according to the most recent FBI statistics available. This means that, on average, two children in this age bracket are murdered every day.  Yet little, if anything, is known about these children or the circumstances of their deaths because these stories are rarely are these stories picked up by national media.   Scholar Carol Leiber, noted at the time,

Her death should not be more newsworthy than that of another child because she was a white little girl with well-to-do parents. But it has been.

As with the adult version of the Missing White Woman Syndrome, the Ramsey case brought together elements of race, gender and class.   And, because the child had been involved in pageants, the case stirred up a lot of debate about the appropriateness of pageants for young girls and, among some feminists, concern about the sexualization of young girls.  The sexualization of Ramsey was also racialized.  Her success in beauty pageants was premised on her whiteness, as well as her overt sexualization.

 Why Does it Matter that White Women are Central to Popular Culture?

So, what difference does it make that white women are placed at the center in pop culture and our collective imagination about crime?   In my view, this matters for several reasons, including:

  • The relentless focus on white women is a key part of the white racial frame. This frame undermines our ability to grasp the reality of race and racism.
  • The Missing White Woman is a distraction. When our collective attention around crime is on the latest Missing White Woman, as tragic is that is for the individual family of that woman,  what we’re not talking about is the mass incarceration and the establishment of a New Jim Crow that disproportionately affects black and brown people.
  • White feminism, without attention to racial justice, makes an easy partnership with white supremacy. As I noted previously, white feminism – if it’s only focused on a kind of crude parity with (white) men – is not incompatible racism.  In fact, many of the avowed white supremacist women I studied in Cyber Racism view themselves as feminists.  And, there’s nothing inconsistent between white supremacy and white feminism.  That’s why it’s so important for a critically engaged feminism include a committment to racial justice.

White women hold a central place in the western, cultural imagination (for more on this point, see Vron Ware’s classic book, Beyond the Pale: White Women, Racism, and History, Verso Press, 1992).  Yet, their whiteness often goes unremarked upon (for more on this point, see Ruth Frankenberg’s excellent book, from which this series of posts is borrowing a title,White Women, Race Matters, University of Minnesota Press, 1993).

 

Research Brief: The Latest Research in the Field

Your Monday research brief is here.

 

Research in the Dictionary

  • Connor, Michan Andres. “Metropolitan Secession and the Space of Color-Blind Racism in Atlanta.” Journal of Urban Affairs (2014). (locked)
    • “The Reverend Joseph Lowery and the Georgia Legislative Black Caucus sponsored a 2011 voting rights suit, Lowery v. Deal, that demanded the disincorporation of several majority-white cities in Georgia’s Fulton and DeKalb Counties and preemption against attempts by affluent and majority-white north Fulton to secede from the rest of the county. Secession would have severe consequences for racial equity in the metropolitan area. Lowery’s 2011 dismissal by the District Court reflects ascendant color-blind racial ideology that defends white privilege in metropolitan space by attributing it to culturally and legally legitimate race-neutral processes. Historical analysis challenges this color-blind interpretation, identifying the nominally class-based interests of north Fulton residents with systemic racial discrimination and the politics of secession with historic patterns of spatial politics that have sought not only to exclude but also to manipulate political space to limit the ability of black voters and officials to make decisions affecting whites and their property.”
    • This research explored effects of sex, age, interethnic contact, and outgroup representation on subtle and blatant prejudice toward Africans in Italian adolescents attending ethnic heterogeneous/homogeneous Secondary Schools. Measures: Subtle and Blatant Prejudice Scale (Pettigrew & Meertens, 1995) referred to the Africans and Semantic Differentials (Falanga et al., 2010) to analyze representation of Self, the Italians, and the Africans. Results showed that girls and the youngest adolescents expressed lower levels on some components of subtle prejudice and on blatant prejudice than boys and the oldest ones. Adolescents with friends from other ethnic groups and those attending ethnically heterogeneous schools displayed positive attitudes toward the Africans. Representation of the Africans had an impact on levels of subtle and blatant prejudice.Selection and peer review under the responsibility of Prof. Dr. Servet Bayram.
  • Kleisath, E. Michelle. “The Costume of Shangri-La: Thoughts on White Privilege, Cultural Appropriation, and Anti-Asian Racism.”  Journal of Lesbian Studies, Vol.18, 2 (2014), 142-157. (locked)
    • “This piece poses cultural appropriation as an undertheorized aspect of white privilege in White Privilege Studies. By way of narrative exploration, it asserts that a paucity of scholarship on Orientalism and anti-Asian racism has created a gap in White Privilege Studies that curbs its radical transformative potential. It argues for the value of a structural and historically focused lens for understanding the issue of cultural appropriation, and extends questions of culture and race relations beyond the borders of the United States. It also explores the complex ways that interracial and transnational relationships can influence white racial identity, and illustrates the disruptive potential that queer interracial relationships can offer to dominant historical patterns of white behavior.”
    • “White privilege constructs whiteness as normative and central to lesbian, gay, bisexual, and queer (LGBQ) identities and is reproduced through social norms, media representations, and daily interactions. We aimed to enhance understanding of the processes by which white privilege was experienced among lesbian, bisexual, and queer (LBQ) women of color in Toronto, Canada. We conducted two focus groups with LBQ women of color, one with participants who self-identified as masculine of center (n = 8) and the second with participants who identified as feminine of center (n = 8). Findings indicate that LBQ women of color experience intersectional stigma (e.g., homophobia, racism, sexism) on a daily basis. Participant narratives revealed that white privilege shaped the representations of women of color in a particular way that promoted their exclusion from white LBQ spaces and broader society. By representing queerness as white, LBQ women of color were rendered invisible in both queer and racialized communities. LBQ women of color were further marginalized by constructions of “real” women as passive, feminine and white, and conversely perceptions of women of color as aggressive, emotional, and hypersexualized. These representations inform spatialized practices and social interactions through constructing racialized communities as discriminatory and “backwards” while maintaining the invisibility of white privilege and racism in LBQ spaces.”
    • “This article investigates the extent to which the emerging trend of do-it-yourself anti-ageing skin-whitening products represents a re-articulation of Western colonial concerns with environmental pollution and racial degeneracy into concern with gendered vulnerability. This emerging market is a multibillion dollar industry anchored in the USA, but expanding globally. Do-it-yourself anti-ageing skin-whitening products purport to address the needs of those looking to fight the visible signs of ageing, often promising to remove hyper-pigmented age spots from women’s skin, and replace it with ageless skin, free from pigmentation. In order to contextualize the investigation of do-it-yourself anti-ageing skin-whitening practice and discourse, this article draws from the literature in colonial commodity culture, colonial tropical medicine, the contemporary anti-ageing discourse, and advertisements for anti-ageing skin-whitening products. First, it argues that the framing of the biomedicalization of ageing as a pigmentation problem caused by deteriorating environmental conditions and unhealthy lifestyle draws tacitly from European colonial concerns with the European body’s susceptibility to tropical diseases, pigmentation disorders, and racial degeneration. Second, the article argues that the rise of do-it-yourself anti-ageing skin-whitening commodities that promise to whiten, brighten, and purify the ageing skin of women and frames the visible signs of ageing in terms of pigmentation pathology.”
  • Park, Augustine SJ. “Constituting Omar Khadr: Cultural Racism, Childhood, and Citizenship.” International Political Sociology 8, no. 1 (2014): 43-62. (OA)
    • “Until 2012, Omar Khadr was both the only former child soldier and Western national left in Guantanamo Bay. Captured by US forces at the age of 15, this Canadian youth would spend more than 40% of his life in US custody during the War on Terror. This article advances two key arguments. First, as a child soldier, Khadr is simultaneously cast as an object of sympathy and suspicion. The construction of Khadr’s childhood is animated by a cultural racism, which casts Khadr as both a victim of an extremist family and the evil outcome of a “jihadi” upbringing. Second, this article examines competing culturally racialized claims about citizenship, prompted by the failure of the Canadian government to seek Khadr’s repatriation. While the central preoccupation of liberal citizenship discourse is the erosion of Canada’s identity as a Western, liberal democracy, “racial-nationalist” discourse raises the alarm on the threat posed by “citizens of convenience” who must be cast out of the polity through practices of “pure exclusion.”
  • Zinga, Dawn Michelle, and Megan Kathleen Gordon. “‘Racism under the radar’: Student perceptions of school experiences in a multicultural context.” Race Ethnicity and Education ahead-of-print (2014): 1-29. (locked)
    • “In this study focus groups were conducted to explore Aboriginal and Caucasian student perceptions of school experiences within a multicultural context. Five major themes emerged from students’ dialogues that pose several questions about what sort of racist atmosphere the members of this community are being exposed to on a daily basis. The findings of this study underscore an understanding of Aboriginal student resiliency within a school setting that employs successful school initiatives that aim to promote student success. Further inquiry into these findings is needed.”

Being Part of a Biracial Family, It’s Just the Reality

“Being part of a biracial family, it’s just the reality,” Christopher Colbert, the father of the six-year-old Grace Colbert star of a Cheerio’s commercial featuring a biracial family, told MSNBC last June shortly after the commercial aired. “We’re also part of the face of America.”

This short video clip (5:56) of the Colbert family’s courage in the face of racist reaction to the commercial featuring their daughter is today’s resistance to racism feature:

According to Census data, among opposite-sex married couples, one in 10 (5.4 million couples) are interracial, a 28% jump since 2000. In 2010, 18% of heterosexual unmarried couples were of different races (1.2 million couples) and 21% of same-sex couples (133,477 couples) were mixed.

The number of mixed-race babies has also climbed over the past decade. More than 7 percent of the 3.5 million children born in the year before the 2010 Census were of two or more races, up from barely 5 percent a decade earlier.

 

Dig Deep: Beyond Lean In

A year ago, few folks were talking about Sheryl Sandberg. Her thoughts on feminism were of little interest. More significantly, there was next-to-no public discussion of feminist thinking and practice. Rarely, if ever, was there any feminist book mentioned as a bestseller and certainly not included on the New York Times Best Seller list. Those of us who have devoted lifetimes to teaching and writing theory, explaining to the world the ins and outs of feminist thinking and practice, have experienced that the primary audience for our work is an academic sub-culture. In recent years, discussions of feminism have not evoked animated passion in audiences. We were far more likely to hear that we are living in a post-feminist society than to hear voices clamoring to learn more about feminism. This seems to have changed with Sandberg’s book Lean In, holding steady on the Times bestseller list for more than sixteen weeks.

No one was more surprised than long-time advocates of feminist thinking and practice to learn via mass media that a new high priestess of feminist movement was on the rise. Suddenly, as if by magic, mass media brought into public consciousness conversations about feminism, reframing the scope and politics through an amazing feat of advertising. At the center of this drama was a young, high-level corporate executive, Sheryl Sandberg, who was dubbed by Oprah Winfrey and other popular culture pundits as “the new voice of revolutionary feminism.” Forbes Magazine proclaimed Sandberg to be one of the most influential women in the world, if not the most. Time Magazine ranked her one of a hundred of the most powerful and influential world leaders. All over mass media, her book Lean In has been lauded as a necessary new feminist manifesto.

Yet Sandberg confesses to readers that she has not been a strong advocate of feminist movement; that like many women of her generation, she hesitated when it came to aligning herself with feminist concerns. She explains:

I headed into college believing that the feminists of the sixties and seventies had done the hard work of achieving equality for my generations.  And yet, if anyone had called me a feminist I would have quickly corrected that notion…. On one hand, I started a group to encourage more women to major in economics and government. On the other hand, I would have denied being in any way, shape, or form a feminist. None of my college friends thought of themselves as feminists either. It saddens me to admit that we did not see the backlash against women around us…. In our defense, my friends and I truly, if naively, believed that the world did not need feminists anymore.

Although Sandberg revised her perspective on feminism, she did not turn towards primary sources (the work of feminist theorists) to broaden her understanding. In her book, she offers a simplistic description of the feminist movement based on women gaining equal rights with men. This construction of simple categories (women and men) was long ago challenged by visionary feminist thinkers, particularly individual black women/women of color. These thinkers insisted that everyone acknowledge and understand the myriad ways race, class, sexuality, and many other aspects of identity and difference made explicit that there was never and is no simple homogenous gendered identity that we could call “women” struggling to be equal with men. In fact, the reality was and is that privileged white women often experience a greater sense of solidarity with men of their same class than with poor white women or women of color.

Sandberg’s definition of feminism begins and ends with the notion that it’s all about gender equality within the existing social system. From this perspective, the structures of imperialist white supremacist capitalist patriarchy need not be challenged. And she makes it seem that privileged white men will eagerly choose to extend the benefits of corporate capitalism to white women who have the courage to ‘lean in.’ It almost seems as if Sandberg sees women’s lack of perseverance as more the problem than systemic inequality. Sandberg effectively uses her race and class power and privilege to promote a narrow definition of feminism that obscures and undermines visionary feminist concerns.

Contrast her definition of feminism with the one I offered more than twenty years ago in Feminist Theory From Margin To Center and then again in Feminism Is For Everybody.  Offering a broader definition of feminism, one that does not conjure up a battle between the sexes (i.e. women against men), I state: “Simply put, feminism is a movement to end sexism, sexist exploitation, and oppression.” No matter their standpoint, anyone who advocates feminist politics needs to understand the work does not end with the fight for equality of opportunity within the existing patriarchal structure. We must understand that challenging and dismantling patriarchy is at the core of contemporary feminist struggle – this is essential and necessary if women and men are to be truly liberated from outmoded sexist thinking and actions.

Ironically, Sandberg’s work would not have captured the attention of progressives, particularly men, if she had not packaged the message of “lets go forward and work as equals within white male corporate elites” in the wrapping paper of feminism. In the “one hundred most influential people in the world” issue of Time Magazine, the forty-three-year old Facebook COO was dubbed by the doyen of women’s liberation movement Gloria Steinem in her short commentary with the heading “feminism’s new boss.” That same magazine carried a full page ad for the book Lean In: Women, Work, and The Will to Lead that carried the heading “Inspire the graduate in your Life” with a graduating picture of two white females and one white male. The ad included this quote from Sandberg’s commencement speech at Barnard College in 2011: “I hope that you have the ambition to lean in to your career and run the world. Because the world needs you to change it.” One can only speculate whether running the world is a call to support and perpetuate first world imperialism. This is precisely the type of feel good declaration Sandberg makes that in no way clarifies the embedded agenda she supports.

Dig Deep: Beyond Lean In

Certainly, her vision of individual women leaning in at the corporate table does not include any clear statements of which group of women she is speaking to and about, and the “lean in” woman is never given a racial identity. If Sandberg had acknowledged that she was primarily addressing privileged white women like herself (a small group working at the top of the corporate hierarchy), then she could not have portrayed herself as sharing a message, indeed a life lesson, for all women. Her basic insistence that gender equality should be important to all women and men is an insight that all folks involved in feminist movement agree is a central agenda. And yes, who can dispute the facts Sandberg offers as evidence; despite the many gains in female freedom, implicit gender bias remains the norm throughout our society. Patriarchy supports and affirms that bias. But Sandberg offers readers no understanding of what men must do to unlearn sexist thinking. At no point In Lean In does she let readers know what would motivate patriarchal white males in a corporate environment to change their belief system or the structures that support gender inequality.

Readers who only skim the surface of Sheryl Sandberg’s book Lean In will find much they can agree with. Very few if any professional women will find themselves at odds with a fellow female who champions the cause gender equality, who shares with us all the good old mother wisdom that one of the most important choices any of us will make in life is who we will partner with. And she shares that the best partner is one who she tells readers will be a helpmeet – one who cares and shares. Sandberg’s insistence that men participate equally in parenting is no new clarion call. From its earliest inception, the feminist movement called attention to the need for males to participate in parenting; it let women and men know that heteronormative relationships where there was gender quality not only lasted but were happier than the sexist norm.

Sandberg encourages women to seek high-level corporate jobs and persevere until they reach the top. For many individual women, Sandberg telling them that they would not be betraying family if they dedicated themselves to work was affirming. It is positive in that it seemed to be a necessary response to popular anti-feminist backlash, which continually suggests that the feminist push to place more women in the workforce was and is a betrayal of marriage and family.

Unfortunately her voice is powerful, yet Sandberg is for the most part not voicing any new ideas. She is simply taking old ideas and giving them a new twist. When the book Lean In began its meteoric rise, which continues to bring fame and notoriety to Sandberg, many prominent feminists and/or progressive women denounced the work, vehemently castigating Sandberg. However, there was just one problematic issue at the core of the anti-Sandberg movement; very few folks attacking the work had actually read the book. Some of them had heard sound bites on television or had listened to her Ted Talk presentation. Still others had seen her interviewed. Many of these older female feminist advocates blatantly denounced the work and boldly announced their refusal to read the book.

Dig Deep: Beyond Lean In

As a feminist cultural critic, I found the eagerness with which Sandberg was viciously attacked disheartening. These critiques seem to emerge from misplaced rage not based solely on contempt for her ideas, but a rage bordering on envy. The powerful white male-dominated mass media was giving her and those ideas so much attention. There was no in-depth discussion of why this was the case. In the book Sandberg reminds readers that, “men still run the world.” However, she does not discuss white male supremacy. Or the extent to which globalization has changed the makeup of corporate elites. In Mark Mizruchi’s book The Fracturing of the American Corporate Elite, he describes a corporate world that is made up of a “more diverse crowd,” one that is no longer white and male “blue chip dudes.” He highlights several examples: “The CEO of Coca-Cola is Muhtar Kent, who was born in the United States but raised in Turkey; PepsiCo is run by Indra Nooyi, an Indian woman who came to America in her twenties. Burger King’s CEO is Brazilian, Chryslers’s CEO is Italian, and Morgan Stanley’s CEO is Australian. Forget about influencing policy; many of today’s leading US CEO’s can’t even vote here.” Perhaps, even in the corporate world, imperialist white supremacist capitalist patriarchy is ready to accept as many white women as necessary to ensure white dominance. Race is certainly an invisible category in Sandberg’s corporate fantasy world.

Sandberg is most seductive when sharing personal anecdotes. It is these true-life stories that expose the convenient lies underlying most of her assertions that as more women are at the top, all women will benefit. She explains: “Conditions for all women will improve when there are more women in leadership roles giving strong and powerful voice to their needs and concerns.” This unsubstantiated truism is brought to us by a corporate executive who does not recognize the needs of pregnant women until it’s happening to her. Is this a case of narcissism as a potential foundation for female solidarity? No behavior in the real world of women relating to women proves this to be true. In truth, Sandberg offers no strategies for the building of feminist solidarity between women.

She makes light of her ambivalence towards feminism. Even though Sandberg can humorously poke fun at herself and her relationship to feminism, she tells readers that her book “is not a feminist manifesto.” Adding as though she is in a friendly conversation with herself, “okay, it is sort of a feminist manifesto.” This is just one of the “funny” folksy moments in the book, which represent her plain and ordinary approach – she is just one of the girls. Maybe doing the book and talking about it with co-writer Nell Scovell provides the basis for the conversational tone. Good humor aside, cute quips and all, it is when she is taking about feminism that many readers would have liked her to go deeper. How about just explaining what she means by “feminist manifesto,” since the word implies “a full public declaration of intentions, opinions or purposes.” Of course, historically the best feminist manifestos emerged from collective consciousness raising and discussion. They were not the voice of one individual. Instead of creating a space of female solidarity, Sandberg exists as the lone queen amid millions of admires. And no one in her group dares to question how she could be heralded as the “voice of revolutionary feminism.”

How feminist, how revolutionary can a powerful rich woman be when she playfully admits that she concedes all money management and bill paying to her husband? As Sandberg confesses, she would rather not think about money matters when she could be planning little Dora parties for her kids. This anecdote, like many others in the book, works to create the personal image of Sandberg. It is this “just plain folks” image that has been instrumental in her success, for it shows her as vulnerable.

This is not her only strategy. When giving filmed lectures, she wears clothes with sexy deep V-necks and stiletto heels and this image creates the aura of vulnerable femininity. It reminds one of the popular television advertisement from years ago wherein a sexy white woman comes home and dances around singing: “I can bring home the bacon, fry it up in the pan and never let you forget you’re a man…cause I’m a w-o-m-a-n!” Sandberg’s constructed image is not your usual sexist misogynist media portrayal of a feminist. She is never depicted as a man-hating ball-busting feminist nag.

Instead, she comes across both in her book and when performing on stages as a lovable younger sister who just wants to play on the big brother’s team. It would be more in keeping with this image to call her brand of women’s liberation faux feminism. A billionaire, one of the richest women in the world, Sandberg deflects attention from this reality. To personify it might raise critical questions. It might even have created the conditions for other women to feel threatened by her success. She solves that little problem by never speaking of money inLean In; she uses the word once.

And if that reality does not bring to her persona enough I‘M EVERYWOMAN appeal, she tells her audiences: “I truly believe that the single most important career decision that a woman makes is whether she will have a life partner or who that partner is.” Even though most women, straight or gay, have not seen choosing a life partner as a  ‘career decision’, anyone who advocates feminist politics knows that the choice of a partner matters. However, Sandberg’s convenient use of the word partner masks the reality that she is really speaking about heteronormative partnerships, and even more specifically marriages between white women and white men. She shares: “Contrary to the popular notion that only unmarried women can make it to the top, the majority of the more successful female business leaders have partners.” Specifically, though not directly, she is talking about white male husbands. For after telling readers that the most successful women at the top are partnered, she highlights the fact that “of the twenty-eight women who have served as CEO’s of Fortune 500 companies, twenty- six were married, one was divorced and only one was never married.” Again, no advocates of feminism would disagree with the notion that individual women should choose partners wisely. Good partners as defined by old style women’s liberation movement and reiterated by Sandberg (who makes it seem that this is a new insight) are those who embrace equality, who care and share. One of the few radical arguments in Lean In is that men should come to the table – “the kitchen table.” This is rarely one of the points Sandberg highlights in her media performances.

Of course, the vast majority of men in our society, irrespective of race, embrace patriarchal values; they do not embrace a vision or practice of gender equality either at work or in the domestic household. Anyone who acts as though women just need to make right choices is refusing to acknowledge the reality that men must also be making the right choice. Before females even reach the stage of life where choosing partners is important, we should all be developing financial literacy, preparing ourselves to manage our money well, so that we need not rely on finding a sharing partner who will manage our finances fairly. According to More Magazine, American women are expected to control 23 trillion dollars by the end of the decade, which is “nearly twice the current amount.” But what will this control mean if women lack financial literacy? Acquiring money and managing money are not the same actions.  Women need to confront the meaning and uses of money on all levels. This is knowledge Sandberg the Chief Operating Officer possesses even if she coyly pretends otherwise.

In her 2008 book The Comeback, Emma Gilbey Keller examines many of the issues Sandberg addresses. Significantly, and unlike Sandberg, she highlights the need for women to take action on behalf of their financial futures. One chapter in the book begins with the epigram: “A woman’s best production is a little money of her own.” Given the huge amounts of money Sandberg has acquired, ostensibly by paying close attention to her financial future, her silence on the subject of money inLean In undermines the call for genuine equality. Without the ability to be autonomous, in control of self and finances, women will not have the strength and confidence to “lean in.”

Mass media (along with Sandberg) is telling us that by sheer strength of will and staying power, any woman so inclined can work hard and climb the corporate ladder all the way to the top. Shrewdly, Sandberg acknowledges that not all women desire to rise to the top, asserting that she is not judging women who make different choices. However, the real truth is that she is making judgments about the nature of women and work – that is what the book is fundamentally about. Her failure to confront the issue of women acquiring wealth allows her to ignore concrete systemic obstacles most women face inside the workforce. And by not confronting the issue of women and wealth, she need not confront the issue of women and poverty. She need not address the ways extreme class differences make it difficult for there to be a common sisterhood based on shared struggle and solidarity.

The contemporary feminist movement has not concentrated meaningful attention on the issue of women and wealth. Rightly, however, the movement highlighted the need for gender equity in the workforce –equal pay for equal work. This economic focus exposed the reality that race was a serious factor over-determining women’s relationship to work and money. Much feminist thought by individual visionary women of color (especially black women thinkers) and white female allies called for a more accurate representation of female identity, one that would consider the reality of intersectionality. This theory encouraged women to see race and class as well as gender as crucial factors shaping female destiny. Promoting a broader insight, this work lay the groundwork for the formation of genuine female solidarity – a solidarity based on awareness of difference as well as the all-too-common gendered experiences women share. It has taken many years of hard work to create basic understandings of female identity; it will take many more years for solidarity between women to become reality.

It should surprise no one that women and men who advocate feminist politics were stunned to hear Sandberg promoting her trickle- down theory: the assumption that having more women at the top of corporate hierarchies would make the work world better for all women, including women on the bottom. Taken at face value, this seem a naive hope given that the imperialist white supremacist capitalist patriarchal corporate world Sandberg wants women to lean into encourages competition over cooperation. Or as Kate Losse, author of Boy Kings: A Journey into the Heart of the Social Network, which is an insider look at the real gender politics of Facebook, contends: “By arguing that women should express their feminism by remaining in the workplace at all costs, Sandberg encourages women to maintain a commitment to the work place without encouraging the workplace to maintain a commitment to them.” It is as though Sandberg believes a subculture of powerful elite women will emerge in the workplace, powerful enough to silence male dominators.

Yet Sandberg spins her seductive fantasy of female solidarity as though comradely support between women will magically occur in patriarchal work environments. Since patriarchy has no gender, women “leaning in” will not automatically think in terms of gender equality and solidarity. Like the issue of money, patriarchy is another subject that receives little attention in Sandberg’s book and in her many talks. This is ironic, since the vision of gender quality she espouses is most radically expressed when she is delineating what men need to do to work for change. It is precisely her avoidance of the difficult questions (like how will patriarchal thinking change) that empowers her optimism and the overall enthusiastic spirit she exudes. Her optimism is so affably intense, it encourages readers to bypass the difficulties involved in challenging and changing patriarchy so that a just moral and ethical foundation for gender equality would become the norm.

Dig Deep: Beyond Lean In

Facebook COO Sheryl Sandberg delivers the keynote speach at Barnard College’s 119th Commencement ceremony, Tuesday, May 17, 2011, in New York. Photographer: Louis Lanzano/Bloomberg

Women, and our male allies in struggle, who have been on the frontlines of feminist thinking and practice, see clearly the fairytale evocation of harmonious solidarity is no easy task.  Given all the forces that separate women and pit us against one another, solidarity is not an inevitable outcome. Sandberg’s refusal to do anything but give slight mention to racialized class differences undercuts the notion that she has a program that speaks to and for all women. Her unwillingness to consider a vision that would include all women rather than white women from privileged classes is one of the flaws in the representation of herself as a voice for feminism. Certainly she is a powerful mentor figure for fiscally conservative white female elites. The corporate infusion of gender equality she evokes is a “whites only” proposition.

To women of color young and old, along with anti-racist white women, it is more than obvious that without a call to challenge and change racism as an integral part of class mobility she is really investing in top level success for highly educated women from privileged classes. The call for gender equality in the corporate American is undermined by the practice of exclusivity, and usurped by the heteronormative white supremacist bonding of marriage between white women and men. Founded on the principles of white supremacy and structured to maintain it, the rites of passage in the corporate world mirror this aspect of our nation. Let it be stated again and again that race, and more importantly white supremacy, is a taboo subject in the world according to Sandberg.

At times Sandberg reminds readers of the old stereotypes about used car salesmen. She pushes her product and she pushes it well. Her shpiel is so good, so full of stuff that is obviously true, that one is inclined to overlook all that goes unspoken, unexplained. For example, she titles a chapter “you can’t have it all,” warning women that this idea is one of the most dangerous concepts from the early feminist movement. But the real deal is that Sandberg has it all, and in a zillion little ways she flaunts it. Even though she epitomizes the ‘have it all kinda girl’ – white, rich, and married to a wonderful husband (like the television evangelist Joyce Meyer, Sandberg is constantly letting readers know how wonderful her husband is lest we forget) – she claims women can’t have it all. She even dedicated the book to her husband “for making everything possible” – what doesn’t she have? Sandberg confesses that she has a loving family and children, more helpers in daily life than one can count. Add this to the already abundant list, she is deemed by the larger conservative media to be one of “the most influential,” most powerful women in the world. If this is not another version of the old game show “queen for a day,” what is? Remember that the women on the show are puppets and white men behind the scenes are pulling the strings.

Even though many advocates of feminist politics are angered by Sandberg’s message, the truth is that alone, individually she was no threat to feminist movement. Had the conservative white male dominated world of mass media and advertising not chosen to hype her image, this influential woman would not be known to most folks. It is this patriarchal male dominated re-framing of feminism, which uses the body and personal success of Sheryl Sandberg, that is most disturbing and yes threatening to the future of visionary feminist movement. The model Sandberg represents is all about how women can participate and “run the world.” But of course the kind of world we would be running is never defined. It sounds at times like benevolent patriarchal imperialism. This is the reason it seemed essential for feminist thinkers to respond critically, not just to Sandberg and her work, but to the conservative white male patriarchy that is using her to let the world know what kind of woman partner is acceptable among elites, both in the home and in the workplace.

Feminism is just the screen masking this reframing. Angela McRobbie offers an insightful take on this process in her book, The Aftermath of Feminism: Gender, Culture, and Social Change, explaining: “Elements of feminism have been taken into account and have been absolutely incorporated into political and institutional life. Drawing on a vocabulary that includes words like ‘empowerment’ and ‘choice,’ these elements are then converted into a much more individualistic discourse and they are deployed in this new guise, particularly in media and popular culture, but also by agencies of the state, as a kind of substitute for feminism. These new and seemingly modern ideas about women and especially young women are then disseminated more aggressively so as to ensure that a new women’s movement will not re-emerge.” This is so obviously the strategy Sandberg and her supporters have deployed. McRobbie then contends that “feminism is instrumentalized. It is brought forth and claimed by Western governments, as a signal to the rest of the world that this is a key part of what freedom now means. Freedom is re-vitalized and brought up to date with this faux feminism.” Sandberg uses feminist rhetoric as a front to cover her commitment to western cultural imperialism, to white supremacist capitalist patriarchy.

Clearly, Sandberg, with her website and her foundation, has many female followers. Long before she was chosen by conservative mass media as the new face of faux feminism, she had her followers. This is why I chose to call my response “dig deep,” for it is only as we place her in the overall frame of female cultural icons that we can truly unpack and understand why she has been chosen and lifted up in the neoliberal marketplace. Importantly, whether feminist or not, we all need to remember that visionary feminist goal which is not of a women running the world as is, but a women doing our part to change the world so that freedom and justice, the opportunity to have optimal well-being, can be equally shared by everyone – female and male.

____________________________________________

~ bell hooks, noted cultural critic, commentator, and feminist, is Distinguished Professor in Residence in Appalachian Studies at Berea College. Born Gloria Jean Watkins in Hopkinsville, Kentucky, she has chosen the lower case pen name bell hooks, based on the names of her mother and grandmother, to emphasize the importance of the substance of her writing as opposed to who she is. She is the author of over thirty books, many of which have focused on issues of social class, race, and gender. In 2013,  she published the award-winning poetry collection. This post originally appeared on The Feminist Wire, read the original here.

There are fewer than 100 black professors in Britain – why?

It is a shocking statistic that there were just 85 black professors in UK universities in 2011-12. In stark terms, this means that there are more higher education institutions than there are black British, African and Caribbean professors actually teaching in them. The latest figures from the Higher Education Statistics Agency put the number of UK academic staff from a known ethnic minority at 12.8%.

Black Professor

In contrast, black and minority ethnic students are well represented. In some institutions, such as City University, they make up nearly 50% of the student population. Yet even in these universities black academics are a rarity, particularly those in senior positions.

It is hard to think of an arena of UK public life where the people are so poorly represented and served on the basis of their race. Yet this scandalous state of affairs generates little by way of investigation, censure or legal scrutiny under the 2010 Equality Act.

The Metropolitan Police has come under intense scrutiny for a number of years for its lack of diversity. It was famously labelled as institutionally racist by the 1998 Macpherson report for its failure to be representative and adequately serve the black community under its jurisdiction. In statistical terms, UK universities are as unrepresentative as the Metropolitan police. Somehow, they have managed to escape intense scrutiny of their attitudes, practices and procedures relating to the black populations that they have a duty to educate and serve.

It is also evident that there is a staggering absence of black people in other leadership positions within the UK higher education system. This includes vice chancellors, registrars and other administrators who make the key strategic decisions concerning ethos, priorities and direction of their institutions.

No Black British studies

Another stark feature of UK academia is the absence of any degree courses that systematically explore the experiences of black people in Britain. In the US, African American Studies are part and parcel of the academic environment. Many academic institutions house departments and academic leaders dedicated to the discipline.

But in Britain there is not a single institution that has a degree programme in Black British studies. If one thinks about the plethora of degree programmes that are offered by UK institutions, it is remarkable that not one of them offers a programme of teaching and research into the experiences of communities that have been so important to the shaping of the United Kingdom.

However, black communities are often the objects of detailed academic scrutiny by UK academics. In sociology, psychology, politics, history, theology, and numerous other disciplines, black communities are analysed, assessed, examined, evaluated and commented upon.

This analysis of black life, conducted primarily by white academics, often portrays black communities as dehumanised. Black people are used to illustrate problems as diverse as educational underachievement, health inequality, and religious extremism.

In doing this, universities contribute to an unflattering, stereotypical and false image of black communities in Britain. The rich complexity and diversity of the black British experience gets buried under an avalanche of supposedly detailed and well-established research findings. Equally damaging is that the communities who are the objects of this research are so rarely empowered by these findings.

Black communities still experience exclusion, under-representation and marginalisation when it comes to the UK’s major institutions. While academics benefit from research income and a raised profile because of their knowledge of black communities, the communities themselves remain on the margins of academic life.

Call to action

In order to move black people into the mainstream of British academic life, fundamental cultural and procedural shifts are required. It needs to be acknowledged that the British higher education system has institutional inadequacies. Universities need to take pro-active measures to ensure that institutions genuinely reflect the diversity of the wider society, both in terms of personnel at all levels and in relation to curricula and research.

The introduction of Black British studies courses in British university campuses could be one positive step on the journey towards a more inclusive higher education system. But rigorous scrutiny, analysis and action is also needed to tackle the institutionalised discrimination that is a stain on the reputation of Britain’s liberal university culture.

The Conversation

~ This post was written by William Ackah, Birkbeck, University of London. William Ackah does not work for, consult to, own shares in or receive funding from any company or organisation that would benefit from this article, and has no relevant affiliations. This post was originally published on The Conversation. Read the original here.

The Trouble with ‘Leaning In’ to (White) Corporate Feminism

I have to confess that the first time I ever heard of Sheryl Sandberg was when she was interviewed on 60 Minutes about her book, Lean In: Women, Work and the Will to Lead.  I had missed her, apparently, wildly popular TED Talk that introduced her to some 2 million viewers sharing essentially the same message of upbeat, non-confrontational, message about women’s equality.  Now, I can’t seem to get away from hearing about Sandberg, the powerful Chief Operating Officer for Facebook.

Sandberg Magazine Cover

Given that my 2nd grade report card from Mrs. Battle at Meadowbrook Elementary School noted that I was a “good student, but wants to run the class,” I was taken in a little by Sandberg’s desire that “every little girl who gets called bossy” should be viewed as having “leadership potential.”  But, as I’ve learned more I’ve come to realize that Sandberg’s notion of “leaning in” highlights the trouble with white women and white feminism that I’ve been detailing in this series.

Sandberg’s basic message is that women are limiting themselves and if we can just get out of our own way, and “lean in” – by which she means assert ourselves in male-dominated offices and board rooms, then the entire “power structure of the world” will be changed and this will “expand opportunities for all.”

Sandberg quote

(Image source)

For those of you following along with a bingo card of feminist theory, you can fill in all the squares marked “liberal feminism.” For Sandberg, the root cause of inequality rests at the individual level of the choices women make, and to a lesser extent, society’s beliefs about women (which they then internalize). Within Sandberg’s conceptualization, there’s nothing wrong with the way society is set up, women just need to shake off those bad messages about being “bossy,” sharpen their elbows and claim their space at the corporate table.  Liberal feminism is an individualistic version of feminism, the same kind of feminism articulated by Susan B. Anthony and by Betty Friedan.

The goal of liberal feminism is for women to attain the same levels of representation, compensation and power in the public sphere as men. In order for change to happen, liberal feminists rely primarily on women’s ability to achieve equality through their own individual actions and choices.  The praxis – the actual work involved – becomes the “motivational work” women must do on themselves to fit into the male-dominated corporate structure.

So, what’s the trouble with this and how does race matter here?

There’s no better source on this than the feminist cultural critic bell hooks who writes in Dig Deep, Beyond Lean In:

To women of color young and old, along with anti-racist white women, it is more than obvious that without a call to challenge and change racism as an integral part of class mobility she is really investing in top level success for highly educated women from privileged classes. The call for gender equality in corporate America is undermined by the practice of exclusivity, and usurped by the heteronormative white supremacist bonding of marriage between white women and men. Founded on the principles of white supremacy and structured to maintain it, the rites of passage in the corporate world mirror this aspect of our nation. Let it be stated again and again that race, and more importantly white supremacy, is a taboo subject in the world according to Sandberg.

This is precisely the problem with Sandberg and with liberal feminism more generally.  As long as “race” is a taboo subject for liberal feminists, then liberal feminism will continue to be consistent with white supremacy.  I found evidence of this in my research on white supremacists at Stormfront, the global portal for “white pride.” At Stormfront, there is a “Ladies Only” discussion board where you’ll find women who are openly, explicitly dedicated to the cause of white supremacy, and who are also espousing liberal feminist views. The “ladies” at Stormfront are in favor of the right to equal pay for equal work, the right to have an abortion (although they’re conflicted about terminating pregnancies that would result in the birth of a white child), and even in favor of some gay rights (as long as they’re still white supremacists). In my analysis of the “Ladies Only” discussion board I wrote in Cyber Racism that:

The women at Stormfront incorporate key elements of white liberal feminism into their rhetoric, thereby expanding white supremacist ideology and making the movement potentially more inclusive to those who hold a range of other political views along with a shared valued in white identity.  In this way, the women at Stormfront illustrate that white feminism is not incompatible with key features of white supremacy.  By resisting more male-dominated version of white supremacy and articulating that form of white supremacy that is more inclusive and egalitarian along lines of gender, and even allowing for the possibility of a version of “equal rights” within white supremacy for gays and lesbians, the women of Stormfront illustrate another way in which white supremacy is inherent in white identity.   This suggests something troubling about liberal feminism. To the extent that liberal feminism articulates a limited vision of gender equality without challenging racial inequality, then white feminism is not inconsistent with white supremacy. Without an explicit challenge to racism, white feminism is easily grafted onto white supremacy and useful for arguing for equality for white women, and possibly for white gays and lesbians, within a white supremacist context.”

Whenever I mention this appearance of liberal feminist views to a room full of feminist scholars, as I did recently, the usual reaction I get is “well, now that’s weird.” As if, it’s odd that liberal feminism and white supremacy could co-exist in this way. But, it’s not odd at all. This is not a case of politics makes strange bedfellows. It is, in fact, perfectly logical that liberal feminism and white supremacy should be intertwined in this way if white supremacy allows for some gender equality while liberal feminism still has no critique of race or racism.  It’s part of why my father, an avowed white supremacist in many ways (he moved our family 4 hours north to avoid a school desegregation order), could raise me with a fairly gender-egalitarian set of expectations.  His hold on white supremacist beliefs was not inconsistent with his mostly progressive ideas about raising a girlchild without limitations.

So, what is holding girls’ back? According to Sandberg, it’s being called “bossy” and internalizing that message. She has now launched a spin-off campaign, in partnership with the Girl Scouts, called “Ban Bossy”.

 

Bossy Holds Girls Back - Illustration

(Image source)

In the illustration above it cites one of the cornerstone facts that the campaign is based on, that is, “girls are twice as likely as boys to worry that leadership roles will make them ‘bossy'” – a factoid drawn from a small subsample of a 2008 report by the Girl Scout Research Institute, “Change It Up!”  The subsample of 360 children who said they weren’t interested in being leaders, and who were asked about the reasons for this disinterest. “I do not want to seem bossy” was mentioned by 29% of the girls but only 13% of the boys, so that does back up the fact in the illustration.  There’s more to the story, however.  In the larger survey pool, girls were just as likely as boys to say that they wanted to be leaders and to agree that “I think of myself as a leader.” They were also equally likely to describe themselves as “confident,” “talented,” and “strong.” Moreover, the girls in the survey were more likely than boys to report actual leadership experience. Thus, 31% of girls compared to 26% of boys said they had been the leader of a team for a school project; 13% of girls but 10% of boys had run for a class or school office. This is consistent with a vast amount of recent data showing that girls are outpacing boys on all sorts of academic and social measures.

Sandberg (and her organization) are also doing something very clever with the marketing campaign for “Ban Bossy” that disguises the way liberal feminism is consistent with white supremacy.

3 women of Ban Bossy campaign(Image source)

The promotional campaign features Sheryl Sandberg (center), flanked by Condoleeza Rice (left) and Anna Maria Chávez (right). Sandberg has also gained the support of Queen Bey herself, Beyonce, to back her campaign. This, I believe, is what we call window dressing. The fact that Sandberg has gotten some prominent women of color to sign on to her campaign doesn’t change the fact that liberal feminism is consistent with white supremacy. Today, (some) very powerful women of color are useful for this brand of liberal feminism. And, tomorrow, it’s just as likely, that they will be the target of it, as in Michelle Cottle’s hatchet piece, “Leaning Out: How Michelle Obama became a feminist nightmare.” 

Sandberg’s “Ban Bossy” campaign seems to be catching on in some quarters, but I’m also hearing lots of people (often women of color) say they are conflicted about this latest move. For her part, bell hooks suggests reclaiming bossy and proposes a counter move: #proudandbossy.  From my point of view, the conflict is about the fact that for so many of us the “bossy” label resonates with something of s sting, yet, many of us also know, at least at some level, that the solution being offered us here is inadequate, even suspect.

Simply put, in Sandberg’s corporate-themed, liberal feminism there is no apparatus – either theoretically or in praxis – for dealing with race or racism.

And that is the trouble with white women for this week. I’ll be back next Tuesday and take a look at white women in popular culture.

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