Where “Old” and “New” World Color Meet in Multiracial Asian America

(Image source)

“Rare indeed is the Asian American who has not heard an aunt or grandmother say something like; ‘Don’t go out in the sun. You’ll get too dark’…[Asian countries have] had long-standing preferences for light skin, especially in women.”

Is Lighter Better? Skin-Tone Discrimination Among Asian Americans

In my continuing research examining the lives of young multiracial Asian children, it has become pretty clear pretty quick that colorism (skin color discrimination of individuals falling within the same racial group) is a major theme. This isn’t a surprise to me, a multiracial Asian woman who grew up constantly scrutinized and measured as more European looking against other Asian peoples. I launched an Amazon hunt and as usual, found very little. In fact almost nothing; only one book addressing colorism in the Asian American community: Is Lighter Better? Skin-Tone Discrimination Among Asian Americans by Joanne L. Rondilla and Paul Spickard (2007) (if you know of more, please send to me).

According to Rondilla & Spickard, colorism in Asia is less about wanting to look European and more a class imperative. “To be light is to be rich, for dark skin comes from working outside in the sun…the yearning to be light is a desire to look like rich Asians, not like Whites” (Rondilla & Spickard, 2007, p.4). A preference for light-skinned beauty existed long before serious encounters with Europeans and Americans, and this desire deeply persists. Though not visibly common in the US, skin lightening products are loudly advertised and mass-consumed all over Asia. And sales are rising. Two million units of skin lightening soap are sold annually in the Philippines. Today, every major cosmetics company has some form of skin lightener (Rondilla & Spickard, 2007).

So what happens when huge numbers of Asian immigrants (430,000 in 2010) and students (6 in 10 international students are from Asia) start arriving Stateside and their colorist/class values meet US racism which has aggressively devalued and violently oppressed dark-skinned people for hundreds of years? What happens when White Perfect (above) meets Jim Crow? “Less yellowish” meets Yellow Peril?

(Image source)

 

On the one hand, it’s a complicated catch-22. Overlay the former with the latter and we certainly get a compounded but also confused effect. As Rosalind S. Chou and Joe R. Feagin note in their book The Myth of the Model Minority: Asian Americans Facing Racism, “Asian Americans frequently embrace stereotypes created by whites about other groups, as well as the racist notions that whites have created for Asians” (p.138).

Asian Americans often manifest “old world” inspired, “new world” enhanced colorism at the same time they find themselves victimized by the same system; targeted as people of color. Rock and a hard place, right? Take for instance American born Lucy Liu, still one of the few Asian TV and film stars, who has publicly bemoaned racism in Hollywood yet stirred controversy last year when she let slip a disparaging remark about Filipino skin color on Jay Leno.

On the other hand, the oppression of dark-skinned people, whether in Asia or America, is exactly what it is — the oppression of dark-skinned people. I often run into folks who try to differentiate the two histories of discrimination as totally disparate, unrelated and incompatible things. Sometimes to excuse immigrant colorist behaviors as eccentric or somehow less offensive because they technically aren’t rooted in racism. Sometimes to dismiss the possibility of any compounded and damaging internalized effects to Asian American children through their combination. But in our increasingly interdependent world, how can we pretend the cultural values of one continent are not influenced and impacted by the values of the other? When I was a young girl my father told me if I ever married a Black man he’d disown me. Even that young I remember being totally shocked by his unapologetic and vocal bias, something I continued to live with and object to my entire youth (though my protests always seemed to fall on deaf ears). My father was born and raised in Taiwan, a place that was and still mostly remains pretty Asian-homogenous. He immigrated to the United States when he was in his 20s at which point he’d had very little exposure to any kind of Black be it African, Afro-Brazilian, Afro-Cuban, African American, whatever. Yet despite his limited exposure to racial diversity growing up and the fact he himself was often targeted as an immigrant/person of color later living in the US, as an adult he harbored very extreme American prejudices against historically targeted American racial groups.

 

(Image source)

Chou & Feagin point out Asian immigrants often have preconceived stereotypes about Blacks before they even immigrate because of contact with American mainstream media operating overseas, a major source of negative typecasting for Mexican and African Americans (among others) (Chou & Feagin, 2010):

The impact of U.S. racism is not confined to the borders of the United States. Indeed, U.S. economic, political, military, and mass media power makes the country very important, indeed often dominant, in many global settings. The United States not only exports commercial goods but also propagates important ideals and ideas as well. The U.S. media are very influential and perpetuate important aspects of the white racial frame to many countries around the world. Certain U.S.-oriented products and their advertising also spread a U.S. racial framing (Chou & Feagin, 2010, pp.170-171).

Where does this leave multiracial Asian Americans born into these overlapping frameworks? I’m afraid that as multiracial Asian Americans, this leaves us poised very precariously at times. Despite what you might imagine, with the recent influx of Asian immigration and Asians marrying out of their ethnic group at a higher rate than any other racial group, multiracial Asian children are not actually that far removed from “old world” prejudices and are often second generation Americans like myself. I have been constantly scanned for Asian versus white features by Asian immigrants and proclaimed “the best of both worlds” leaving me with the uncomfortable, highly racialized feeling there’s something I did or didn’t get that I should be glad about but that one or both of my halves might resent. In my October post “Mixed Heritage and Knowing We Still Have Work To Do,”  I described the race challenges shared by a quarter Asian youth panelist (Black/Asian/white) as part of a local mixed heritage dialogue. Despite identifying strongly as Blasian:

12 yo Saiyana, a child of our future and proud of her mixed heritage, showed us that race mythologies/oppressions persist. She related being profiled by a museum security guard who identified her as Black at the same time Black peers at school refuse to acknowledge her multiraciality.

Even in Rondilla & Spickard’s well-researched book something funny around mixed race people seems to be happening. In their study, they asked participants asked to respond to pictures of 3 different women of varying skin tones from lightest to darkest. The “fairest of them all,” as designated by the researchers, appears to be multiracial, something alluded to, but not confirmed in the book. The other two do not appear to be multiracial.

Why would only one woman be mixed race? Why not choose either 3 mixed race Asian woman OR 3 monoracial Asian women? And if only one mixed race woman was going to be chosen, why would she be the light one?

There is a conversation we aren’t having about specifically colorism in Asian America and the way it impacts the lives of mixed race children. For example, how are darker-skinned Black/Asians versus lighter-skinned white/Asians received within their families, within the Asian American community, and society at large?

In her book Pure Beauty: Judging Race in Japanese American Beauty Pageants, Rebecca Chiyoko King-O’Riain points out that despite growing acceptance of mixed race children in the Japanese American community:

The idea of racial hierarchies perpetuated by the Japanese American community is evidenced in the community beauty pageants. There have been few if any African American/Japanese American mixed-race queen candidates and none has been successfully chosen to be queen (King-O’Riain, 2006, p.38).

How do phenotype and issues of blood quantum complicate this conversation? What is it like for children like Saiyana who are a quarter or less Asian and may not wear Asian racial markers that signal loudly to others, yet who identify strongly as being so? Given that multiracial Asian is a fast-growing demographic and will soon constitute a larger and larger portion of our population, I think we have to ask ourselves these hard questions. Certainly not at the exclusion of other discussions central to multiraciality but definitely as an important part of the larger conversation.

What is it like for multiracial Asians with different skin colors/heritages sitting at a crossroads where “old world” Asian colorism and “new world” US racism meet?

~ Guest blogger Sharon Chang writes regularly at MultiAsian Families.

 

Why Kim Jong Il Jokes Aren’t Funny

Or, to be more precise: From Kim Jong Il to the Asian American Man: What Being Foreign, Female, and a Rapist Have to do with Both

In times of war or international tension, it makes complete sense that the United States would mercilessly mock their enemies, as any nation would. When the enemy is of fellow European descent, perhaps issues of ethnicity and nationality take precedence over those of race. When the enemy is Middle Eastern, Muslim, or Asian, however, racial code is used as the basis for mockery and insult. The use of ‘race’ in this manner is problematic precisely because it fits within a larger pattern of racial inequality.

Take the case of North Korea. There is no doubt that Kim Jong Il runs a formal dictatorship. There is no doubt that some of his actions and personal quirks are oppressive by any society’s standards. Neither of these things, however, gives opinionmakers and comedians a free pass to reinforce racist ideologies.

“It’s just humor!” some may say. But nothing is ever that simple. History shows us that U.S. politicians and capitalists constructed racist ideologies of Asian-descent males to use them for their labor and deprive them of settlement and citizenship. The U.S. government, for instance, used the 1875 Page Law to deny Chinese women entry and thereby prevent family formation. As sociologist Yen Le Espiritu eloquently argues in her book Asian American Women and Men: Labor, Laws & Love, it was Chinese American men’s feminized jobs and their lack of wives and children that gave birth to the effeminate, asexual, homosexual Asian man. Nothing is wrong with these gender-sexual identities alone. But essentializing as such a whole group for racially unjust purposes? That’s wrong.

Indeed, depicting Asians as sexually deviant has been a key foundation for denying them entry into, and rights within, the United States. Beyond stereotypes of asexuality and homosexuality, however, White Americans also hypersexualized Asian men. For instance, the government passed anti-miscegenation laws for fear that Filipino American men would rape and steal away White women. During the WWII years, as Espiritu shows, Japanese ethnics became the hypersexual Yellow Peril ready to multiply and take over the White race. Such notions allowed President Roosevelt to mass incarcerate over 120,000 Japanese Americans without evidence of the group’s “un-American” activities.

These real-life depictions of the racially inscrutable and sexually deviant Asian man have real-life consequences. In the 1980s, Chinese American Vincent Chin was blamed by two White autoworkers for the loss of their jobs in the U.S. auto industry (“the Japs’ fault!”); Chin lost his life to their baseball bats. In the 1990s, the U.S. government charged and detained U.S. citizen Wen Ho Lee for spying for China, a charge that was so baseless that the government exonerated him under a flurry of apologies. Still today, Asian American men are considered by most surveys as the least desirable men, leading to difficulty finding partners and low self-esteem. Furthermore, the Asian American Justice Center reports that rates of anti-Asian violence have long been high, in part because so-called “foreigner” competition is unwelcome in the United States. While these violent consequences repeatedly unfold, the message that Asian Americans experience no racism lives on.

In this racial context, newsmakers and entertainers have unselfconsciously recycled stereotypes that affect all Asian-descent men. One of the most common images is of the inscrutable Yellow Peril. Mostly non-Asian news anchors and cable pundits wring their hands over the “strange,” “unpredictable,” “twisted,” “abnormal” North Korean leader. While some of the labels have a kernel of truth to them, they are also inspired by, and reinforce, the longstanding notion that Asian people are somehow inscrutable. As MSNBC Chief White House Correspondent Chuck Todd aptly sums up, Americans tend to think, “Crazy ol’ Kim Jong Il, again.”

Entertainers have been especially ruthless. The writers behind the puppet movie Team America: World Police, also of South Park fame, are obviously satirists. But there is not enough of a separation between the “real” and “ridiculous” depictions of Kim to comfortably say that the Team America stereotypes have no negative impact. In the movie, the Kim Jong Il puppet brutally kills anyone who disagrees with him, like Swedish diplomat Dr. Hans Blix. He then switches into a melancholic mood and sings to himself the ballad “So Ronery” [translation: “So Lonely”]. As the Kim puppet wanders alone through his enormous Stalin-esque palace, he laments life as the inscrutable foreigner:

Sitting on my rittle throne
I work rearry hard
And make up great prans
But nobody ristens
No one understands
Seems rike no one takes me seriousry
And so Im ronery
A rittle ronery
Poor rittle me

The Kim puppet’s inability to speak English properly is an obvious play for laughs. It certainly reinforces the foreignness of Asians as well as their subordinate status, given America’s exalting of English as the only language worth knowing. In a Saturday Night Live (SNL) skit, Latino cast member Horatio Sanz plays the “yellow man” leader, and draws on both notions of foreign inscrutability and sexuality to get laughs:

Sanz: “When I was first informed of the aggressive actions of the United States, my first response was violent anger. Then a lengthy crying jag, followed by sudden deep sleep for about two days. Then several hours of frantic masturbation, punctuated by more crying jags. Afterwards, I burned my thighs with matches.”

Also invoking racial foreignness and sexuality, Bobby Lee, a Korean American comedian on MadTV, self-stereotypes as the “Dear Leader” in skits like “The Kim Jong Il Show.” The variety show musical introduction includes the words “He’s a little man with a big dick.” During the show, Bobby Lee’s Kim forces North Korean peasant minions to salute him with honorific titles. As the leader probes for more accolades, the minion remembers to add, “Oh, and, ‘Babe magnet with a magical penis!’” In another scene, Lee’s Kim also performs a rap collaboration called “Bomb, Bomb, Bomb,” with a likeness of hip hop mogul Diddy. In it, Kim straddles a bomb and belts out that he gets a lot of tall blonde “coochie.”

In essence, we are supposed to laugh at the fact that Kim Jong Il frantically masturbates in response to U.S. threats and is a “well-endowed” womanizer who scores sexy White ladies. The jokes are funny because Asian-descent men are thought to be the precise opposite: asexual with little penises to whom White women wouldn’t give the time of day. Indeed, in “Bomb! Bomb! Bomb!” the Diddy impersonator reminds us of the truth: the “Dear Leader” has a “small salami.”

Yet, Asian-descent men are not just deemed asexual or insecure about small salamis; they are also hypersexual. That stereotype is evident in Sanz’s comedic turn as a Hollywood film-obsessed Kim Jong Il who violently fantasizes about another blonde, Reese Witherspoon:

Continue reading…