Ferguson, Missouri: “Our” Contribution to the Survival of the White Racist Frame

Ferguson, Missouri. What can I abundantly say? As the name guilelessly emerges from the mouth, a macabre power elicits resounding physical and emotional responses within individuals. These divisive responses have caused many keen, and the not so intellectually in tuned to disgorge upon our airways and our favorite politically one-sided cable network news television shows to speak simply in terms of faults, blames, and inculpabilities. In response to the somber situation at hand, I cannot think of what I can say that has not already been thrust upon the public regarding the police shooting death of 19 year-old Michael Brown.

But just when I thought it has all been incessantly said, someone has come along and presented a new controversial perspective. The “super producer,” singer, and rap artist, Pharrell Williams, has presented us with an interesting observation. If you do not know who he is, just think of him as the Black guy you have seen on television recently who has a proclivity for inane hats. Regardless, in regard to the Michael Brown shooting, in a recent interview with Ebony Magazine, he stated,

I don’t talk about race since it takes a very open mind to hear my view, because my view is the sky view. But I’m very troubled by what happened in Ferguson, Mo.

With his so-called “sky view” (it takes a millionaire to understand the term), he began to further discussion of the televised store surveillance video that depicts Michael Brown stealing and intimidating the store operator. Mr. Williams went on to say,

It looked very bully-ish; that in itself I had a problem with…. Not with the kid, but with whatever happened in his life for him to arrive at a place where that behavior is OK. Why aren’t we talking about that?

Entertaining. For a man who calls himself apart of the “New Black,” he may actually have a substantially important issue that calls for further discussion. This little nugget cannot be compared to his other recent failure of intellectual accession when he told Oprah Winfrey,

The New Black doesn’t blame other races for our issues…The New Black dreams and realizes that it’s not pigmentation: it’s a mentality and it’s either going to work for you or it’s going to work against you. And you’ve got to pick the side you’re going to be on.”

Can I digress for a moment; I really would like to ask him if Martin Luther King Jr., Malcolm X, Stokely Carmichael, Angela Davis, and others were simply blaming other races for their issues?

Nevertheless, his initial observation of what drove Michael Brown’s “bully-ish” behavior got the old noggin clicking. Then within a thought provoking moment, I began to recall an old rap song I use to play over and over again as a teenager. In my youth, it caused me to really question Black America. Within “Us,” written by Ice Cube, stated:

Could you tell me who released our animal instinct?
Got the white man sittin’ there tickled pink… That’s what ya doin’ with the money that ya raisin’ Exploitin’ us like the Caucasians did

I would like to ask, who among my people continues to exploit “us” and feed the animal of systemic oppression and its consequential actions? Unlike the past, current public rationalization is subtler than the past, but still equally damaging to Blacks. With careful critique, one can hear the current depressing messages of Black males in popular songs. Case in point, I bring you Mr. Pharrell Williams. He has made a living from producing others as well as himself on wax.. Such songs as “When the Last Time,” “Feds Watching” “Power,” “Light your Ass on Fire,” and “Mr. Me Too” just to name a few. All of which illustrate an all too familiar contemporary formula of opulence living, drug usage, violence, and misogynistic overtones. This is not to mention the videos that are plagued with issues of colorism and white aesthetic favoritism.

In American Paradox: Young Black Men, Renford Reese discussed research that involved surveying 756 Black males (13-19 years-of-age) in places such as Los Angeles and Atlanta. He determined that the “tough guy” persona distinguished in the music of Mr. Williams and other acts that glamorize violence, sexist behavior, and the glamorous life have negatively effected generations of Black men’s identity. Was Michael Brown’s identity affected by Mr. Pharrell and others? Can his bully-ish behavior be traced back to he and his musical keen?

We are currently living within an era resembling Blaxploitation filming trends. Within the 1970s, Whites movie production companies comprehended the financial benefit associated with the genre and mass-produced movies that propelled negative stereotypes and images. For the most part, the culturally empty music today that gains most of the public attention resembles this past era. The production of this music is filled with the same gratuitous violence, drug usage, luxurious champagne, and misogyny that are simply on display for the sake of exhibitionism. On the other hand, people such as the co-founder of Def Jam Records, Russell Simmons, defends these artists and their work by arguing that

The hip-hop community is a mirror, a reflection of the dirt we overlook—the violence, the misogyny, the sexism. They need to be discussed.

While he and his proponents refuse to look up from the massive “bling” on their wrists and red velvet underneath their feet, a fact looms over their inflated heads that point to their involvement in driving and maintaining the historical white racist oppressive frame.

You are right Pharrell. But you just forgot to include yourself and your musical keen who have contributed the current state of affairs. But I am understand. Especially when everything is so “Happy.”

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