75 Years of Celebrating Oppression: Rosy White Racial Framing

People sometimes contend we are in a post-racial America, but you have to be pretty naïve or deceptive to really say that. It is not just colorblind racism, it is usually intentional deception when whites say “I don’t see race” or “we live in a pro-racial society.” Most know better from their daily lives as much social science data on whites’ backstage discussions reveals.

Some have asked about how our old and deep racial framing gets perpetuated, A very good example of how the 400-year-old white racial frame is perpetuated can be seen in the ongoing contemporary celebration and viewing of the old white racist movie, Gone with the Wind.

CNN has this long article on the recent celebrations of 75 years of the novel. And in “post-racial America” and world, it is still making huge amounts of money, as a book and as a film that teaches people everywhere lies and misrepresentations of the old, brutal, and bloody slaveholding South:

More than 30 million copies of the Pulitzer Prize-winning novel are in print worldwide, . . . [and] Selznick’s 1939 adaptation finishes atop most reckonings of the biggest-earning films of all-time, …. Throw in sequels, licensing and merchandise, and …. “It’s making more money now than it ever did in Mitchell’s lifetime,” says John Wiley…

That means huge numbers of people are still reading the novel or watching the movie worldwide, probably many each hour of each day of each year. People still meet to really celebrate for two days the highly racist book and movie, as 100 folks did recently, including at least one person of color. They met at the Marietta Gone With the Wind Museum, not far from Mitchell’s Atlanta grave. Interestingly, they had a GWTW museum before we had a museum in Washington, D.C. to deal with our heritage of slavery. And this is about the only weak criticism in the CNN story:

Of course, the book does have political problems of its own. Its apologetic depiction of slavery and liberal use of the N-word are hard for modern audiences to overlook.

So that is the best CNN can do as a critique of the novel and the movie—“political problems”—as though GWTW’s rather rosy depictions of slavery and plantations are somehow just debatable “problems” of a political sort? Actually, GWTW as novel and movie is more like the contemporary denial histories of the European Holocaust. We, or at least many of us, are still in denial about the brutality and oppressiveness of our long racist history–and the lasting consequences.

At least as sad as the rosy celebrations of America’s slave labor camps–called plantations and slave farms—and their fictional Civil War history is the fact that CNN thought a mostly positive review of celebrations of Gone with the Wind was in order. Clearly, not even the media are ready to take on a real critique of the depth and reality of the North American racial foundation we call slavery. No mention of that reality in this story, or how the novel, movie, and celebrations get our history quite wrong.

This country, after all, is the only “Western advanced industrialized” country that is based on 246 years of slavery, more than half its history, which was followed by nearly a century of the near-slavery of Jim Crow segregation. Clearly, the fictions and denials are not gone with the wind. One sees very well here how little we have progressed as a nation, when we cannot have an honest and ongoing discussion of the enslavement of millions of human beings in slave labor camps that kidnapped them, exploited them, tortured them, killed them or shortened their lives, and built up the great wealth of the white-run nation. Even the election of an African American president has not changed this reality.